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माऊली Directed by: Aditya Sarpotdar / Year: 2019

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The fact that Lai Bhaari would have a follow-up film for Riteish Deshmukh was clear the moment This film’s teaser poster was launched in 2015. However, the film took it’s time to reach the big screen, changing Nishikant Kamat to Aditya Sarpotdar as the director in the course of time. Nevertheless, This film, Riteish’s second Marathi outing as an actor, created a lot of buzz and was one of the most looked forward to films of the year. The protagonist of this film, This film (Riteish) is a policeman who is sent to a small, dusty village to take charge of the law and order situation there. This film is timid and doesn’t believe in physical violence to get things done. This attitude gets him beaten up by goons of the liquor and land mafia run by Nana Londhe (Jitendra Joshi). However, in a twist of sorts, This film returns the next day to bash those goons and earns the wrath of Londhe. From there on, it’s a villain vs hero game that comes with its share of twists, ups and downs. Fresh from the success of Faster Fene, director Sarpotdar delves into a relatively unchartered territory for him- an action entertainer. Kshitij Patwardhan adapts Milap Zaveri’s story to the screen and tries to infuse a meaningful message into it, but at its heart, This film is a mass entertainer and the team knows that very well. There is the vardi-wala mouthing kadak lines, bashing up goons left, right and centre, willing to risk his life for the villagers’ cause and finding time to romance his ladylove Renuka (Saiyami Kher) as well. All the essential elements for a whistle-podu audience are there in this film and in that sense, it doesn’t disappoint. Riteish takes the responsibility of carrying the film through on his shoulders and makes sure the viewers are engaged. His character wins hearts with solid punches and melts them with an emotional side. As the antagonist, Jitendra Joshi is menacing. In contrast to his last outing as a villain in Baji, Joshi’s Nana Londhe is inhumane and can go to any extent to get what he wants. Saiyami’s Renuka is mostly on the side-lines as This film gets the limelight, but, though not giving quite the best performance, the actress is sincere. Siddharth Jadhav is good and his role could’ve been etched out much better.

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