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रेडु Directed by: Sagar Vanjari / Year: 2019


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Synopsis/Information:
This film bags 7 awards at the Maharashtra State Film Festival 2018, This film was screened in the Indian Panorama at the IFFI (International Film Festival of India) and also at Kolkata International Film Festival. It was the only Indian film to have been screened at the Cairo International Film Festival in Egypt. The film has already won the ‘Best Film by a debutant’ at the Aravindan Puraskaram Marathi-Malvani film by first-time director Sagar Chaya Vanjari based in the mid-1970s around the love for a transistor radio has scored a hat-trick with its selection in three international film festivals. Sagar is a Pune-based film editor who has worked on national award winning films like ‘Investment’. It is the only Marathi film to be selected for the competition section of the Kolkata International Film festival (KIFF) and the only Indian film in the Cairo International Film Festival (CIFF). The third festival where it will be screened is the International Film Festival of India (IFFI) Goa. Set in the backdrop of rural Konkan, this film is a simple story of one man’s life, love, values, and his will to go on. The lead character Tatu is a short-tempered, irate middle-aged man who is fascinated and curious to see a small portable transistor, for the first time in his life. The gadget makes his ordinary life full of excitement and fun and Tatu soon gets very attached to the radio, the newest member of his family. A sudden loss of the prized possession leaves him disheartened and dejected. Refusing to accept this altered reality, he embarks on a quest to reclaim what once belonged to him. “Nowadays, if we lose a gadget, we don’t give it much importance; but in those days even a single gadget meant a lot to its owner,” said Sagar about the film. He prefers to add his mother’s name to his surname and says “it is because of my mother that I am what I am. Had she not encouraged me, I would not have come into this profession.” The film’s premise is slightly similar to the recently released Cycle. Both the films have a central character that is attached to a particular belonging and becomes restless when that thing is not around. However, that’s where the similarity ends. this film isset in the 1970s when owning a radio was a luxury. At such a time, Tatu (Shende) is gifted a radio by his brother-in-law (Babhal), much to the envy of his fellow villagers. Tatu carries his prized possession everywhere and doesn’t let anyone else, barring his wife (Kadam) and daughter (Supal) near it. From an irate daily-wager, Tatu suddenly becomes the toast of the village, but one day all of it vanishes when the radio is stolen.

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